Vincent Delaney’s plays have been produced, commissioned and developed at the Guthrie, Humana Festival, Florida Studio Theatre, LAByrinth, New Harmony Project, Source Theatre Festival, Alabama Shakespeare Festival, Florida Stage, the Children’s Theatre Company, the Magic, Woolly Mammoth, Shakespeare and Company, Pittsburgh Public, the Lark, PlayLabs, Capital Rep and Orlando Shakes, among many others.
LAS CRUCES won the New Play Festival from Premiere Stages.
FORECLOSURE was a finalist for the same festival.
THE WAR PARTY was developed through the National New Play Network, and had simultaneous world premieres at Seattle Public Theatre and Philadelphia’s InterAct. It was selected to the New York International Fringe Festival.
FIRE STATION 7 was commissioned by Seattle Children’s Theatre, where it had its world premiere.
99 LAYOFFS premiered at ACT Theatre and Radial Theatre Project, and was produced at Orange Theatre in Amsterdam; the script was a nominee for the ATCA Steinberg Award.
THE SEQUENCE, commissioned by the Guthrie, has been produced around the country and in Japan, Canada, and the UK.
AMPERSAND won the Reva Shiner Comedy Award from the Bloomington Playwrights Project.
Other awards include McKnight and Bush Fellowships, Core Membership at the Playwrights Center, the Heideman from Actors Theatre of Louisville, and a Jerome Commission.
His screenplay CANAAN was a finalist for the Disney Writing Program through the Blacklist, and his short film KUWAIT was selected to festivals in New Hampshire, Connecticut and Idaho. He was commissioned to adapt the recent Netflix documentary HEIST into a feature film.
Publications: Applause Books, Smith and Kraus, Samuel French, Heineman, Dramatics Magazine, Theatre Forum, and Playscripts.com.
Vince is a proud alum of the Seattle Rep Writers Group, a two time Gregory nominee, and a member of the Bigfoot Greenroom screenwriters collective.